Narrative Impulse – Keeping Fiction Alive

Narrative impulse

Read about narrative impulse – the constant flux to and from the character currently at the centre of a story. The movement flows from the particular to the general, from the individual to the relational, from the deeply personal to society at large, from extreme emotions to cold, hard facts, from heartfelt presence to time immemorial. The narrative impulse is the essential throbbing of narration that instils life into stories, conferring them with depth and breadth, with warmth and colour. It quickens or slows the pulse of the reader that beats in sync with the story. Read the full article.

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Kazuo Ishiguro awarded the Nobel for literature

In its reaction to Kazuo Ishiguro being awarded this year’s Nobel prize for literature, The Guardian writes: The author is a worthy recipient of the Nobel prize for continually finding his voice – and discarding it for a new one.

Photo source:  Ben Stansall/The Guardian/AFP/Getty Images

The Remains of the Day

I have written reviews of two of Ishiguro’s books. On The Remains of the Day, I wrote:

It is those very words, used by the butler to reflect on his life and his work and to perform his duties to their utmost despite the extreme circumstances that assail him, that both convey the intimate fabric of the world at that time, and reveal by omission that which is steadfastly left unstated by Stevens, the underlying emotions that animate the staff and visitors in this stately hub of English society. ()

The Buried Giant

Writing about The Buried Giant, I said:

By a cunning use of repetition and returns to the past, Ishiguro, weaves a mist around the reader who, at the slightest moment of inattention, loses track of where she is and flounders in an undivided sea of impressions. It is in those moments, cut loose from time, that a panic seizes the reader leaving her grasping for familiar landmarks. ()

The Guardian | The Guardian view on Kazuo Ishiguro: self-restrained force

Secret Paths – Thoughts on Books | The Remains of the Day (a review)

Secret Paths – Thoughts on Books | The Buried Giant (a review)

Kazuo Ishiguro, The Remains of the Day, Faber & Faber, 2010

Kazuo Ishiguro, The Buried Giant, Faber & Faber, London, 2015

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John Horwood: inspired by a wood

At a time when a wood is inspiring me, it seems appropriate to return to the masterly writing of one who was deeply inspired by Duncton Wood, John Horwood. If you haven’t read the Duncton tales, I highly recommend them. His descriptions of places are magic and the story he tells is both thought-provoking and moving.

… and what about the girl?

If you read my last post, you will know a lot of the writing on my new novel has been done in the forest. Should it rain while I’m out walking, and that seems likely as the weather has changed for the worse, I can always shelter under one of the arches of the funicular (see above) to write.

I suspect the first extract from the draft of the new novel I posted a few days ago may have given the impression that it’s all about a young guy called Jake. Well it is, but there is also a girl called Isla and she doesn’t have a very high opinion of Jake after their first brief encounter. Here’s an extract from the beginning of chapter two. Remember this is a draft. Remember also that things aren’t always as they seem…

There is also a video of the author reading this extract: Isla and the boy she bit.

Isla cupped her hands under the fountain for the third time and swilled water round her mouth unable to rid herself of the taste. What if the boy had some dreadful disease? She’d bitten him, damn it! There’d been blood and he stank. Spitting the water onto the ground, she straddled the monoPod ready to ride off and pulled out her Tab. If she’d been a normal girl she’d have denounced the attack. The boy was frankly dangerous. She’d thought he was going to rape her.

Her heart pounded as she recalled how he’d flung himself on top of her. He’d been about her size, but he was much stronger. She’d felt his muscles. His chest. His arms. His legs. His weatherbeaten face had been so close. She could still feel his breath on her cheek. The whiff of mouldy cheese had almost made her gag. And the wild look in his eyes. Like a cornered beast. No. More lost and perplexed. As if he thirsted for an answer.

Isla ran her fingers over the screen of the Tab. It had been hidden in the saddlebags of the monoPod she’d stolen. She had immediately disarmed the location software of both the Pod and the Tab, but using the latter to notify the Trackers was still risky, if not plain stupid. They could trace the call and would want to know how she came to be alone in such a remote spot when she was supposed to be at school.

School? Reform school they called it. A pretty name for a prison for youngsters. A school where teacher was synonymous with warden and learning meant sweeping the floor or clearing away the cardboard Boxits each and every meal was delivered in. A place where brawls were commonplace and abuse, especially of girls and the young and weak, was the norm. In her short stay, she’d spent her time trying to go unnoticed. If they sent her back she’d be in trouble. Inmates didn’t appreciate kids who tried to escape. As if escaping insulted those left behind. She’d bear the brunt of years of pent-up anger. Especially with her being so different. Few could read or write, let alone programme screens. The authorities would surely have twigged she’d busted wide open their precious system. They’d never let her near a screen again.

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The birth of a new novel

As I reached the end of the draft of my latest novel, Stories People Tell, I was concerned that no idea for a new book sprang to mind. Normally I have to put a brake on the new ideas that jostle to be heard as the current book nears completion. But this time nothing moved, even if I nudge and prodded it. What if my source of inspiration had dried up? A worrying thought I tried set aside. I was three-quarters through the first edit of Stories People Tell before an idea came for a possible novel and in unusual circumstances.

My hip had been playing up and rather than try to rest, I decided to start daily walks, hiking first four then eight kilometres early every morning. On the second day, as I neared the eight-kilometre mark I came across a clearing off the well-used track. Littered with moss-covered rocks and some felled trees, the place had a magic quiet to it that appealed to me. I sat on a rock (see photo below), pulled out my iPad and began writing a story that took shape in a very similar place to that one. Every day I paused to sit on that rock and write, except the one day in the month when it was raining.

It was not  immediately clear where the story was going but now I have written twelve chapters (of about one hundred to be written), the direction is becoming apparent. Unlike most of my other books, I have not immediately decided on a title. I just call it New Book. It will be my twelfth novel.

Here’s a short extract from the beginning of the opening chapter. Remember this is a draft and it will probably change before the book gets published.

To think he’d walked so close to the ruins on his foraging trips, never suspecting they were there. Jake glanced at the scattered slabs of stone covered with moss and rampant ivy. Despite its dilapidated state, the sacred ring was discernible amongst the trees, culminating in a majestic menhir that towered over the others.

There was an inner peace to the place, like an insistent silence that called to him. He took a deep breath, closed his eyes and bowed his head. Easing onto a rock, he shrugged off his backpack. The miles of trekking were taking their toll. His legs ached. He stared at the sullen standing stone, undecided if it were welcoming or hostile. At least the site, nestled in a hallow in the ground that hid it from the main track, offered shelter to break his fast.

He pulled a slice of bread and a chunk of cheese from his bag. The bread was stale and the cheese dry. If only he had some pickles. The moment the thought crossed his mind, he berated himself. The priest would have called him twice cursed, for covetousness and gluttony. The sour-faced man was very free with his condemnations, especially when it came to Jake. All the same, he had to agree. Craving more in the circumstances really was a sin.

A tear trickled down Jake’s cheek at the memory of his mother sneaking into the castle kitchens. Begging her to cease filching food was pointless. How else was she to feed them? The pittance she earned as a kitchen help was far from enough. One day he’d walked in on her spreading ointment on wheals on her back. The sight of the swollen gashes had made him sick. Never had she complained of the whippings. She was lucky, she said, not to get beheaded like other thieves. He brushed the tears angrily from his face and returned the remaining lump of bread to his bag.

Jake was reaching for his water bottle when he froze. In the distance, approaching fast, a group of horses cantered along the main trail sending birds squawking into the air. The Baron’s men. No other group could be out in such numbers. Surely they couldn’t be looking for him so soon. He shouldered his bag and searched for a place to hide. They were bound to stick to the well-used trail, but better to play safe.

He was wrong. The first mounted man trotted between the stones just as he ducked behind the largest of them. The horses snorted when their riders pulled them to a halt. There was a telltale click of buckles and stirrups as the men dismounted. “He must be here,” a gruff voice said. It was the captain of the guard, a thin-faced, vicious blighter  called Jurgen who was the terror of the young in the castle, boasting as he did of eating little children for breakfast. Story or no story, the voice so close made his skin crawl. (…)

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A foretaste of the Philip Pullman’s Book of Dust

The Guardian has just published a short teaser from Philip Pullman’s forthcoming book, La Belle Sauvage, the first of the Trilogy, The Book of Dust. In an interview posted by Random House Kids on YouTube  (see below), Pullman calls the new book a companion to the earlier trilogy, His Dark Materials. This first volume is to be published on October 19th, 2017 in print form, electronically, but also as an audiobook.

What appeals to me in this short extract, apart from the evident air of family with the earlier trilogy which I immensely enjoyed, is the unassuming language. No fancy frills. Just words in the service of a story.

 

Norse Mythology by Neil Gaiman

I have very much enjoyed reading/listening to Neil Gaiman’s novels, including Neverwhere and The Graveyard Book. The audio version of the former being  a real gem thanks to the work of Dirk Maggs on the sound (he worked on Douglas Adams radio version of the Hitchhikers Guide to the Galaxy). But my favourite so far is The Ocean at the End of the Lane. Why? Because i find the story particularly touching. I am intrigued to hear Gaiman’s rendering of Norse Mythology in his newly published book of the same name. In a recent radio interview he spoke of adapting the legends and the fine line between respecting the original material and ‘filling in the gaps’ in a modern version. From the interview it was clear he has long had a passion for these legends and is vocal about how they have influenced his writing. The audio version of his Norse Mythology is narrated by the author himself.

Anne Bishop – Etched in Bone

For fans of fantasy writer, Anne Bishop, a new novel, Etched in Bone, in The Others series is due out on March 9th 2017. The Others novels, of which this will be the fifth, confirm the authors ability to fascinate readers with strange but engaging characters in disturbing yet surprisingly likeable worlds.

Climactic finish to Stories People Tell

I have just finished the first draft of my eleventh novel, The Stories People Tell. A hundred and twenty four thousand words written in two and a half months. Details of all my novels can be found here.

Right up to the very last chapter (the one hundredth), I had no idea how the story would finish. Amongst other things, I was surprised to discover that the climatic end was a joyous celebration of the city of London and the wide diversity of the people living there.

The Stories People Tell relates the tale of Annie, an unknown seventeen year-old schoolgirl , who gets caught up in a grass-roots gay women’s movement in their opposition to Nolan Kard, current Lord Mayor of London. A rich entrepreneur, turned politician, he is campaigning to ‘Keep London Straight’. His off-hand attitude, his tasteless humour and his widespread influence, especially within the police, are undermining the country’s longstanding institutions. Annie, who is normally shy and retiring, discovers she has far more talent than she imagined. Despite herself, she becomes the figurehead of the ‘London Whatever’ movement that rocks London and its certitudes, but in so doing, she becomes the number one target for Kard and his rogue police, not to mention his sinister gang of ghost writers


Flags fluttered in the breeze over the hotel entrance as they reached Charing Cross Station. People were leaning out the many windows to catch a first glimpse of the march, whistling and cheering as the head of the cortege swept into view. The station forecourt was packed with people none of whom seemed in any hurry to catch a train. They erupted in cheers and clapping as the first of the marchers drew level with the station.

Annie halted the march and grasped the microphone Bertie handed her. She took several steps beyond the column of people, Xenia, her faithful bodyguard, at her side. Kevin, her girlfriend, on the other. The crowd hushed. “Thank you,” she said, her amplified voice echoing back from the façade of the station and away down the Strand over the heads of the marchers. “Thank you all for such a warm welcome. It touches us deeply. We, the women, men and children of London, march to put an end to violence. The violence of words, of acts, of fists, of firearms and bombs. We oppose violence not with ever more violence, but with everyday acts of kindness, with concern for those who are poor, rejected and in ill health. It is not easy. But that is our goal. If that goal appeals to you, join us now. We are on our way to St. James’s Park where there will be speeches, but also music and dancing. You are all welcome.”

She paused a moment, the fist of her right hand cradled in the fingers of her left. “We raise our fists in salute, it is not a threat but a sign of solidarity. In those fingers held tight we embrace everyone however different they may be. Gay. Trans. Straight. Black. Yellow. White. All sorts. All colours of the rainbow. All are welcome in our London.” She raised her fist in the air. Behind her, the marchers as one saluted in their turn and with it a roar went up that rippled back down The Strand. Then hesitatingly people in the station forecourt and at the windows above, raised their fists, till a sea of raised fists greeted her.

Annie nodded as a token of recognition and returned to the march, her arm slung around Kevin’s shoulders, her heart beating fast with the emotion of the moment. Bertie raised her arm and gave the signal for them to set off towards Trafalgar Square.

The Book of Dust

Delighted to learn from the Guardian that Philip Pullman is to publish a new trilogy set in the same context and with some of the characters from his earlier trilogy, His Dark Materials. The new trilogy will be entitled The Book of Dust and the first volume is due out in October 2017. Looking forward to rediscovering more of the magic and the thought-provoking writing of Pullman.