One of my delights in writing Stories People Tell has been discovering how I can embed real-life places in my story and how that juxtaposition of the real and the imaginary adds power and presence to the story. Within the limits of my knowledge of the places used, I have tried to respect the confines of the contexts chosen. In addition, I found it important to select an overarching setting for the whole story which dictated the places I could use and the possible trajectories between them and which gave additional coherence to the novel.
Some caution is required, however, to make sure the depiction of such settings does not mask the story. Places, especially those that are well-known, have a power and a story of their own. If you let them come too much to the forefront they will take over and hijack your story.
Below is a short extract, depicting a visit to a psychiatric hospital. I doubt you can identify the original setting, but I have used its presence to heighten the narration.
The car swung through the wrought iron gates into the park, where a large sign announced the name and nature of the institution. The former was concealed by foliage, while the latter was plain to see, Psychiatric Hospital. The words filled Annie with panic as all her doubts came rushing back. So Alice had made up her mind that she was crazy and intended to have her locked up. In a horrible way, it all made sense. No wonder she hadn’t wanted to say where they were going.
As they wound their way under a dense canopy of trees, Annie could feel mounting resignation numb her whole being. She glanced longingly out the back window at the world beyond the gates. She was partly reassured to see that the gates did not snap shut behind them. Reaching the end of the drive, they emerged from the wood in front of a large mansion surrounded by a grassy expanse that extended as far as the eye could see. Alice parked the car at the foot of the steps to the main entrance and turned to face Annie.