I have just completed the first draft of We Girls Show the Way, my 14th novel, the third in the Boy & Girl saga. When I began writing this new novel some five months ago, I was sure it would be all about Peter’s dilemma with gender. After all, he was up against a fast approaching deadline and he’d very soon have no choice but to stop taking the hormones and accept he was a man. Living as he did in the early 60’s, there seemed to be no alternative, especially as circumstances conspired to force that outcome on him. It was a dismal prospect that had me hesitating about writing a follow-up at all.
Clinging on to that ambiguity in the no-man’s land between boy and girl was like trying to suspend time when Peter’s natural inclination was to intervene in the world, helping and healing others and combatting those who sought to do ill. If he was gifted in any way, it was that treading a delicate line between girl and boy preserved him from the soaring ego that often gets in the way of those who seek to do good.
That tension between a thirst for eternal youth and a drive to intervene in the world to set things right led him to a realisation. The artificial distinction between childhood and adulthood was a major stumbling block to both him and Kate reaching their full potential and doing great things. By straddling the line between child and adult, between carefree creativity and weighty responsibility, between play and work, they could find imaginative ways to confront far-reaching problems that adults had turned their backs on.
The Boy & Girl Saga
Boy & Girl – Imagine Peter’s delight when he finds himself in the head of a girl, he who secretly dresses as a girl. Yet, despite his wild hopes, that girl is not him. She’s Kaitlin, the daughter of a mage in a beleaguered world. Peter has his own problems when a new girl at school threatens to reveal his girly ways. Becoming friends, Kate and Peter confront their problems together.
In Search of Lost Girls – In search of Kate, his lost soul-mate, Peter is beset by individuals hell-bent on stopping him dressing as a girl and besmirching the name of all those who befriend him. Meanwhile Kate has been dumped into a girls’ orphanage where, despite constant abuse and mistreatment, she emerges as a decisive figure in the rescue of her fellow orphans.
We Girls – Peter is beset by an existential choice, retain his androgynous ambiguity or say goodbye to his girlish self. Circumstances, however, force both him and Kate to take up other challenges. By straddling the line between child and adult, between carefree creativity and weighty responsibility, between play and work, they find imaginative ways to confront far-reaching problems on which adults persistently turn a blind eye. (Yet to be published)